![]() ![]() I have no problem adjusting the blacks in filmic using these modules.I did in a few instances use thing like a graduated filter or even vignette (brightness only) in the pipeline before the tone equalizer, which brought the required adjustments in the tone equalizer into much more of a sane range, making it a lot less extreme and more useful. Using any of the other level adjusting modules will destroy proper filmic results. As well the only other modules you should use are tone equalizer and color balance. The developer of the filmicRGB module says that if using filmic, one must disable basecurve. So I find myself going back and forth between both a few times, in turn circling between filmic's scene and presentation tabs several times usually. Using both is a somewhat iterative process, because filmic-rgb needs to come after the tone equalizer in the pipeline, and you can visually make sense of the result of the tone equalizer only after passing through filmic, and the optimal filmic settings in turn are dependent on you tone equalizer settings. There is a lot of good advice on when to use it in which way. ![]() The workflow using filmic to construct a "base curve equivalent" - with proper de-saturation of both ends, is very different from using a fixed base curve first and later doing adjustments around it, as is the case both for DT 2.6 and Rawtherapee. Best talks in my "physics years" were all developing their material with chalk and blackboard, not just showing pre-made diagrams etc.Īmong my landscape shots, I have a lot of DNGs with a very high dynamic range. ![]() I really like his style of developing the presentation while he talks, everything is very well presented. #2019 users of darktable software seriesMore practicing in the last two nights, after having watched Aurélien PIERRE Photo's video series on filmic-rgb and the tone equalizer, skipping over most of the math/physics, which I'm rather familiar with and playing at 1.5x speed. ![]()
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